Seminar

Three Times of Hou

  • 06/06/24 - Thursday | 19:00 - 20:00
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Details

A conversation about the films, style, and career of filmmaker Hou Hsiao-hsien, celebrated in this year’s Retrospective Section. Time, history, Taiwan, and memory permeate the dialogue, which revolves around the eight feature films selected for the Retrospective.

Mediation

>Gabriel Borges

Gabriel Borges é pontagrossense, curador, cineclubista, montador e diretor de cinema. Mestre em Cinema e Artes do Vídeo pela Universidade Estadual do Paraná, Gabriel atua na realização e edição de filmes e na organização e programação de cineclubes e festivais de cinema como o IV Griot – Festival de Cinema Negro Contemporâneo, o Metrô – Festival do Cinema Universitário Brasileiro e o Cineclube São Bernardo.

Speakers

Ruy Gardnier

Ruy Gardnier currently serves as the programming coordinator at MAM Cinematheque and as head of cataloging at Circo Voador. He is also a professor and film critic for the newspaper O Globo. Gardnier was the founder and editor of the online magazines Contracampo and Camarilha dos Quatro. Throughout his career, Gardnier has edited catalogs for retrospective exhibitions dedicated to filmmakers such as John Ford, Samuel Fuller, Abel Ferrara, Buster Keaton, Rogério Sganzerla, Julio Bressane, among others. He has curated exhibitions such as "Julio Bressane - Innocent Cinema", "Rogério Sganzerla - Cinema of Chaos", and "Brazilian Cinema in the 90s, 9 Questions". In addition to his editorial and curatorial work, Gardnier has contributed as a researcher at Tempo Glauber and as a faculty member at the Darcy Ribeiro Film School.

Filipe Furtado

Filipe Furtado is a film critic responsible for the blog "Anotações de um Cinéfilo" and serves as one of the organizers of the magazine “Abismu". He has previously held editorial roles at the magazines "Paisà" and "Cinética".

Cecília Mello

Cecília Mello is an Associate Professor at the Department of Film, Radio, and Television of the School of Communications and Arts, USP. She has held visiting researcher positions at the Taipei National University of the Arts (2010 and 2017), Beijing Film Academy (2013), Peking University (2015), University of Nottingham in Ningbo (2021), and King's College London (2022). Mello has edited several books, including "Realism and the Audiovisual Media" (co-edited with Lúcia Nagib, London, Palgrave, 2009), "Realismo Fantasmagórico" (Cinusp, São Paulo, 2015), and "Chinese Film in the Twenty-First Century: Movements, Genres, Intermedia" (co-edited with Corey Schultz, London and New York, Routledge, 2024). Additionally, she is the author of "The Cinema of Jia Zhangke: Realism and Memory in Chinese Film" (London, Bloomsbury, 2019), which received an Honorable Mention for Best Monograph in 2020 from the British Association of Film, Television, and Screen Studies.

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