screenplay
Myrza Muniz
Vânia Matos
direction
Myrza Muniz
production
Vânia Matos
production company
Laranjeiras Filmes & Fruto Conteúdo
Home
Brazil
Letícia Simões
Landless
Brazil
Camila Freitas
Again Once Again
Argentina
Romina Paula
Let It Burn
Brazil
Maíra Bühler
Between Two Waters
Spain
Isaki Lacuesta
Midnight Family
United States, Mexico
Luke Lorentzen
Etangs Noirs
Belgium
Pieter Dumoulin, Timeau De Keyser
Still Recording
France
Ghiath Ayoub, Saeed Al Batal
Tel Aviv on Fire
Belgium, France, Israel, Luxembourg
Sameh Zoabi
Present.Perfect
China, United States
Shengze Zhu
Those Who Desire
Spain, Switzerland
Elena López Riera
Shortcuts
Ecuador
Daniela Delgado Viteri
Aziza
Lebanon, Syria
Kaadan Soudade
Entropia
Hungary
Flóra Anna Buda
In Case of Fire
Portugal
Tomás Paula Marques
A Gift
Indonesia
Aditya Ahmad
Seven Years in May
Brazil
Affonso Uchôa
Thinya
Brazil
Lia Letícia
Lands of the Sea
Argentina, Chile
Azucena Losana
The Hidden City
Spain
Victor Moreno
The Yellow Night
Brazil
Ramon Porto Mota
Domains
Japan
Natsuka Kusano
Just Don’t Think I’ll Scream
France
Frank Beauvais
MS Slavic 7
Canada
Deragh Campbell, Sofia Bohdanowicz
Taking the Horse to Eat Jalebis
India
Anamika Haksar
The White Color
Brazil
Afonso Nunes
Ash and Ember
France
Manon Ott
Daniel
France
Atlan Marine
While We Are Here
Brazil
Clarissa Campolina, Luiz Pretti
Your Turn
Brazil
Eliza Capai
Up the Mountain
China
Yang Zhang
Indianara
Brazil
Aude Chevalier-Beaumel, Marcelo Barbosa
At Jolie Coiffure
Belgium
Rosine Mbakam
Pahokee
United States
Ivete Lucas, Patrick Bresnan
Second Time Around
Belgium, Norway
Dora García
A Wild Stream
Mexico
Nuria Ibáñez Castañeda
Winter’s Night
South Korea
Jang Woo-Jin
Aurora
Cuba
Everlane Moraes
The King Crab
Brazil
Enock Carvalho, Matheus Farias
In the Mouth of the Mine
Cuba
Brandán Cerviño
Polis
Brazil
Rafael Baptista
Breakwater
Brazil
Cris Lyra
Sabá
Brazil
Sérgio de Carvalho
Pressed, Ripped Apart
Brazil
Fabio Rodrigues da Silva Filho
A Story from Africa
Portugal
Billy Woodberry
Blessed Land
Vietnam
Phan Ngoc Lân
Enclosed
Spain
Sol Prado
Instructions on How to Make a Film
United States
Nazli Dinçel
Laugh Lines
Switzerland
Patricia Wenger
Make It Soul
France
Jean-Charles Mbotti Malolo
Omarska
France
Varun Sasindran
Walkabout
Australia, United Kingdom
Nicolas Roeg
Singin’ in the Rain
United States
Gene Kelly, Stanley Donen
Getting to Know the Big Wide World
USSR
Kira Muratova
Daughters of the Dust
United States
Julie Dash
Memoirs of Prison
Brazil
Nelson Pereira dos Santos
The Conformist
Germany, France, Italy
Bernardo Bertolucci
Funeral Parade of Roses
Japan
Toshio Matsumoto
Vagabond
France
Agnès Varda
Oh, Sun
France, Mauritania
Med Hondo
PROGRAMME GERMAINE DULAC
Those Who Make Themselves
Spanish Dances
The Cigarette
France
Germaine Dulac
Reminiscences of a Journey to Lithuania
United States, Lithuania
Jonas Mekas
Casa Roshell
Chile, Mexico
Camila José Donoso
Naomi Campbel
Chile
Camila José Donoso, Nicolás Videla
Nona – If They Soak Me, I’ll Burn Them
Brazil, Chile, South Korea, France
Camila José Donoso
Ninouche
France
Valérie Massadian
Dreams of Ice
Chile
Ignacio Agüero
T.R.A.P.
Argentina
Manque La Banca
The Woman With Her Own Light
Brazil
Sinai Sganzerla
The Portuguese Woman
Portugal
Rita Azevedo Gomes
Seduction of the Flesh
Brazil
Júlio Bressane
A Bread Factory
United States
Patrick Wang
Wolf Mouth
Brazil
Bárbara Cabeça
Dyketactics
United States
Barbara Hammer
Double Strength
United States
Barbara Hammer
Latifundium
Brazil
Érica Sarmet
Untitled #5: A Tune of Nones at Noon
Brazil
Carlos Adriano
Vever (For Barbara)
United States, Guatemala
Deborah Stratman
X-Manas
Brazil
Clarissa Ribeiro
The Divisions of Nature
France
Raúl Ruiz
The Double Day
Argentina, Bolivia, United States, Mexico
Helena Solberg
The Hyphotesis of the Stolen Painting
France
Raúl Ruiz
The Suspended Vocation
France
Raúl Ruiz
Three Crowns of the Sailor
France
Raúl Ruiz
Dialogues of Exiles
Chile, France
Raúl Ruiz
Of Great Events and Ordinary People
France
Raúl Ruiz
These Are the Weapons
Mozambique, Portugal
Murilo Salles
Fragments of Exiles
Brazil
Silvio Tendler
Midday
Brazil
Helena Solberg
Memoirs of a Strangler of Blondes
Brazil
Júlio Bressane
Mueda, Memory and Massacre
Mozambique
Ruy Guerra
No Time for Tears
Chile
Luiz Sanz, Pedro Chaskel
Der Leone Have Sept Cabeças
France, Italy
Glauber Rocha
The Crazy Small Army
Brazil
Lúcia Murat, Paulo Adário
On Top of the Whale
Chile
Raúl Ruiz
Three Sad Tigers
Chile
Raúl Ruiz
Un Séjour
Brazil
Carlos Diegues
Pinhão
Brazil
Andréia Kaláboa
Apnea
Brazil
Carol Sakura, Walkir Fernandes
A Couple
Brazil
William de Oliveira
Queer-bomb
Brazil
Renan de Cillo
Creatively Out of Order
Brazil
Natacha Oleinik
This Land Will Not End
Brazil
Matias Dala Stella
Frontiers/Guaíra
Brazil
Juliana Sanson
Cursed
Brazil
Laysa Machado
Mirror Mirror on the Wall
Brazil
Igor Urban
Sun Inside
Brazil
Jo Serfaty
Alma
Colombia
Santiago León Cuéllar
Circuit
Switzerland
Delia Hess
Waterproof Wick
Brazil
Higor Gomes
Kids
Switzerland
Michael Frei
Lily’s Hair
Brazil
Raphael Gustavo da Silva
The Juggler
Brazil
Iuri Moreno
Puppet
Belgium
Thimothée Crabbé
Dry Fly
Spain
Rut Juan
BLACKN3SS
Brazil
Diego Paulino
The Great Love of a Wolf
Brazil
Kennel Rogis
Vivi Wolf and the Magical Room
Brazil
Isabelle Santos, Edu MZ Camargo
The Blue Flower of Novalis
Brazil
Gustavo Vinagre, Rodrigo Carneiro
Bimi Shu Ykaya
Brazil
Isaka Huni Kuin, Siã Huni Kuin, Zezinho Yube Huni Kuin
Block
Brazil
Quentin Delaroche, Victoria Alvares
Waiting for the Carnival
Brazil
Marcelo Gomes
Island
Brazil
Ary Rosa, Glenda Nicácio
Before Yesterday
Brazil
Caio de Nobrega Franco
I’d Prefer Not To Be Identified
Brazil
Juliana Muniz
An Assay on Absence
Brazil
David Aynan
Wandering Flesh
Brazil
Grace Passô, Ricardo Alves Jr
Film critic and festival programmer with articles published in several publications and compilations. He has covered festivals such as Cannes, Venice, San Sebastian, Montreal, Freiburg, Rotterdam, Toronto, and Berlin, and many times as an official member of the jury. He taught Cuban cinema at the Sarah Lawrence College in New York. In 2010, he organized a retrospective on the African diaspora in Cuba for the Tarifa-Tangier African Film Festival. Since 2005, he has been a programmer at the Havana Film Festival, responsible for editing the catalog and, more recently, coordinating the festival’s theoretical events.
Flavia Candida is a curator, filmmaker, and producer with a BA in Cinema from the Fluminense Federal University (UFF), where she directed the short film ‘O Metro Quadrado’, winner of the Special Jury Award at the Brasilia Festival in 2002. She began her career as a programmer in the mid-1990s at Cine Arte UFF and coordinated for over 15 years the Brazilian Festival of College Films. She collaborates in the programming and curatorship of several festivals and exhibitions such as Curta Cinema, Rio Festival, São Paulo International Short Film Festival, Goiânia Mostra Curtas, Vitória Cine Vídeo, and 21st Century: Women, Action! As a project analyst and consultant, she works in the selection of laboratories such as BR Lab, Platforma Lab, ICUMAM Lab, and as a consultant for the Curta Cinema 2015 Projects Laboratory and selection in 2018.
Rita Azevedo Gomes is a versatile and independent filmmaker exploring new forms of expression. Since the 1970s her activities encompass areas such as Theater, Opera, Graphic Design, and Cinema. She worked alongside João Bénard da Costa at the Service Cinema of the Calouste Gulbenkian Foundation and at the Portuguese Cinematheque –Cinema Museum. She has received critical acclaim and awards for her films in several countries and Festivals – Locarno, Venice, Montreal, Rotterdam, Bafici, Buenos Aires, Turin, Viennale, Jeonju, Doc Lisboa, Marseille, Cinesul Rio, Japan, etc. She currently works in the Permanent Programming Department of the Portuguese Cinematheque–Cinema Museum.
Daniel Kasman is the Director of Content of MUBI. He is based in New York.
He is a director of Festival REC (Tarragona) and Film Programmer at Tallinn Black Nights IFF (Spain).
Sarah-Tai Black is a film programmer, arts curator, and writer living in Toronto. She is the Programming Coordinator at Images Festival and works as a member of TIFF’s festival programming team. Sarah-Tai is also one of the Directors at The Royal Cinema where she programs a monthly series called Black Gold. Her writing has been published by numerous outlets, including The Globe and Mail, Cinema Scope, MUBI Notebook, TIFF’s The Review, and Cléo Journal. She is committed to intersectional feminist practices within the arts and her work focuses heavily on the representation and experiences of black, queer, and body positive communities.
André Félix is a master’s student in Communication and Culture at the Federal University of Bahia and a filmmaker. He directed the short films ‘A Cor do Fogo e A Cor da Cinza’ and ‘Valentina’ and co-wrote the feature film ‘Entreturnos’. ‘Diante dos Meus Olhos’ is his first feature film as director.
Researcher. Professor in the Communication Course (Cinema) at PUC-Rio. She holds a PhD in Communication and Culture from ECO-UFRJ with a doctoral stay at the Université Sorbonne Nouvelle Paris III.
Raúl Camargo, Chilean festival programmer and professor, joined the programming team of the FICValdivia festival in 2007, becoming its director in 2014. He has written articles for respected periodicals, including La Fuga, Fuera de Campo, Otros Cines, and Hambre Cine. He lectures in film history at a number of Chilean universities.
In 2016, she directed her first short film, ‘Tentei’, awarded best film, photography, and acting at the 50th Brazilian Brasilia Film Festival, among others. She is currently concluding her second short film, ‘Me Deixei Alí’, winner of PROAV 2017. In partnership with Jandir Santin, her screenwriting project ‘Alvorada’ was approved at the 12th Rucker Vieira Screenplay Contest. Laís is a web editor for the newspaper Brasil de Fato, community educator in cinema, and master’s student in Cinema and Arts at the Faculty of Arts of Paraná-Unespar.
Letícia Simões majored in Communication from PUC-Rio and studied Screenwriting and Documentary at the London Academy of Film, Media and TV, and Visual Arts at the London Art Academy. She holds a master’s degree in Cinema-Essay from the School of Cinema and Television of San Antonio de Los Baños, Cuba and a master’s degree in Contemporary Art Studies from the Fluminense Federal University. She teaches Documentary Screenwriting at the Hélio Alonso College and at the Darcy Ribeiro Film School. In 2019, she is a guest artist of the Instituto Sacatar, an artistic residency program between Holland and Brazil, based in Itaparica Island.
A professor and researcher in the Cinema and Audiovisual Course at the Federal University for Latin American Integration – UNILA. She graduated in Industrial Design from the Pontifical Catholic University of Rio de Janeiro (1999), holds a Master’s Degree in Music from the Federal University of Rio de Janeiro (2006) and a PhD in Multimedia from Unicamp (2013. In 1989, she began to edit movies, receiving a Best Editing award at the 29th Brasilia Film Festival with the feature film ‘Pequeno Dicionário Amoroso’ directed by Sandra Werneck and at the 30th edition of the same festival with ‘Miramar’ by Júlio Bressane. In 2004, she won the Arts Vitae Scholarship to develop the research ‘The Film Sound’. As a professor, she teaches editing, audiovisual preservation, and experimental cinema.
screenplay
Myrza Muniz
Vânia Matos
direction
Myrza Muniz
production
Vânia Matos
production company
Laranjeiras Filmes & Fruto Conteúdo
screenplay
Pedro Giongo
direction
Pedro Giongo
production
Fran Camilo
production company
Metafixa Produções
screenplay
Alice Riff
Vanessa Fort
direction
Alice Riff
Vanessa Fort
production
Alice Riff
Vanessa Fort
production company
Studio Riff
screenplay
Alice Name-Bomtempo
direction
Alice Name-Bomtempo
production
Amanda Kadobayashi
production company
Ritornelo
screenplay
Will Domingos
direction
Will Domingos
production
Aline Mazzarella
production company
Estúdio Giz
screenplay
Enock Carvalho
Matheus Farias
direction
Enock Carvalho
Matheus Farias
production
Enock Carvalho
Matheus Farias
production company
Gatopardo Filmes
An open conversation with the curators of the eighth edition of Olhar de Cinema about this year’s selections, films, and events.
A conversation with the crew of the opening film of the 8 th Olhar de Cinema.
A chat with the crews of the feature films that premiered at the festival.
A chat with the crews of the feature films that premiered at the festival.
The challenges in programming public cinema spaces. How to engage the viewer in times of changing consumer behavior.
Diagnostics and perspectives for the audiovisual industry in the state of Paraná.
A chat with the crews of the feature films that premiered at the festival.
A chat with the crews of the feature films that premiered at the festival.
A panorama on teaching cinema and television in the state. How to ensure a comprehensive and critical education for students.
A chat with the crews of the feature films that premiered at the festival.
A chat with the crews of the feature films that premiered at the festival.
Some of the authors talk about the state of film criticism in their respective states and about film criticism itself.
A chat with the crews of the feature films that premiered at the festival.
A chat with the crews of the feature films that premiered at the festival.
A chat with the crew of the feature film that premiered at the festival.
A conversation regarding the films and themes of this year's Retrospective Section, which places the films of Chilean filmmaker Raúl Ruiz in dialogue with films directed by exiled Brazilian directors.
A chat with the crews of the feature films that premiered at the festival.
A free and open talk with the public in which the filmmaker highlighted in this year’s Focus section discusses her cinematic origins and her self-styled “transfictional” approach to filmmaking. The talk will also include screenings of the short films Camino Gris (2011) and Nona (2014) – both from Camila José Donoso – and As the Flames Rose (2012), directed by João Rui Guerra da Mata.