1989
Juliana Sanson e Fabulário Filmes
Módulo: Longa-metragem Ficção
Filmes
Competitive | Features
300 Miles
Syria
Orwa Al Mokdad
El Mar, La Mar
United States
Joshua Bonetta e J.P. Sniadecki
Fernando
Brazil
Igor Angelkorte, Julia Ariani e Paula Vilela
Foreign Body
France, Tunisia
Raja Amari
Big Big World
Turkey
Reha Erdem
Machines
India, Germany, Finland
Rahul Jain
Land Vessels
Brazil
Simone Cortezão
Newton
India
Amit V Masurkar
King
Chile
Niles Atallah
Soldier
Argentina
Manuel Abramovich
Vangelo
Italy
Pippo Delbono
Competitive | Shorts
The Lighthouse Island
Brazil
Jo Serfaty, Mariana Kaufman
Shake Up Brazil
Brazil
Carlos Segundo
Ciudad Maya
France, Mexico
Andrés Padilla Domene
Events in a Cloud Chamber
India
Ashim Ahiuwalia
Fajr
Fiji
Lois Patiño
The Disco Shines
Turkey, Spain
Chema Garcia Ibarra
Nyo Vweta Nafta
Portugal
Ico Costa
Penumbria
Portugal
Eduardo Brito
Selva
Costa Rica, Argentina, Chile
Sofia Quirós
Empty
Peru
Carmen Rojas Gamarra
New Views
Scribbles, Doodles and Other Monsters
Brazil
João Castelo Branco, Elisabeth Moreschi
Still the Earth Moves
Mexico
Pablo Chavarria Gutiérrez
Occidental
France
Neïl Beloufa
People Power Bombshell: The Diary of Vietnam Rose
Philippines
John Torres
All the Cities of the North
Serbia, Bosnia and Herzegovina, Montenegro
Dane Komljen
Tonsler Park
United States
Kevin Jerome Everson
Other Views | Features
Lucia’s Home
Brazil
João Marcelo, Lúcia Luz
Alipato – The Very Brief Life of an Ember
Philippines, Germany
Khavin De La Cruz
From a Year of Non-events
Germany
Ann Carolin Renninger, René Frölke
A Yangtze Landscape
China
Xu Xin
Autumn, Autumn
South Corea
Jang Woojin
Hema Hema: Sing me a Song While I wait
Buton, Hong Kong
Khyentse Norbu Rimpoche
Free Man
Brazil
Alvaro Furloni
My Body is Political
Brazil
Alice Riff
Overnight Flies
Austria, Sweden
Georg Tiller
The Scope of Separation
China
Yue Chen
Convictions
Russia, Poland
Tatiana Christova
Other Views | Shorts
Acaiaca
Brazil
Leonardo Good God
Couplets for an Everlasting Eve
Spain
Ageda Kopia Taldea
Cilaos
France
Camilo Restrepo
The Tale of Antonia
Switzerland, Colombia
Jorge Cadena
Itinerant State
Brazil
Ana Carolina Soares
Manodopera
Greece, France
Loukianos Moshonas
On the Mission, with Kadu
Brazil
Aiano Bemfica, Kadu Freitas e Pedro Maia de Brito
Misters (without blame)
Mexico
Annalisa D Quagliata
It’s Never Nightmare in the Map
Brazil
Ernesto de Carvalho
The Daytime Doorman
Brazil
Fábio Leal
Saturn’s Return
Brazil
Bianca Muniz, Marcus Curvelo
September
Portugal, Bulgaria
Leonor Noivo
The Crying Conch
Canada, Haiti
Vincent Toi
Olhares Clássicos
A Scary Time
United States
Shirley Clarke
Anathan
Japan
Josef vin Sternberg
Boudu Saved From Drowning
France
Jean Renoir
Talks in Maranhão
Brazil
Andrea Tonacci
Cat Skin
Brazil
Joaquim Pedro de Andrade
Norman McLauren Short Films
Canada
Norman McLauren
Story of the Night
Switzerland, Italy, Germany, France
Clemens Klopfenstein
Voyage to the End of the Universe
Czech Republic
jindrich Polák, Pavel Jurácek
Death’s Long Way
Brazil
Julio Calasso
Monangambee
Algeria
Sarah Maldoror
The Conspirators
Brazil
Joaquim Pedro de Andrade
Taipei Story
Taiwan
Edward Yang
Visionaries
Brazil
Fernando Severo
A Trip to the Moon
France
Georges Méliès
Foco
Black Mirror
Thailand
Anocha Suwichakornpong
By the Time it Gets Dark
Thailand, Netherlands, France, Qatar
Anocha Suwichakornpong
Mysterious Object at Noon
Thailand
Anocha Suwichakornpong
Ghosts
Thailand, United States
Anocha Suwichakornpong
Graceland
Thailand
Anocha Suwichakornpong
Mundane History
Thailand
Anocha Suwichakornpong
Like. Real. Love.
Thailand
Anocha Suwichakornpong
Lunch
Singapure
Anocha Suwichakornpong
Nightfall
Thailand
Anocha Suwichakornpong
Overseas
Thailand
Anocha Suwichakornpong
Special Screenings
66kinos
Germany
Philipp Hartmann
A Quiet Dream
South Korea
Lu Zhang
This is the Way I Like it
Chile
Ignacio Agüero
This is the Way I Like it II
Chile
Ignacio Agüero
The Royal Lemon Tree
Argentina
Gustavo Fontán
Mode of Production
Brazil
Dea Ferraz
Not Reconcilied
France
Jean-Marie Straub
Rifle
Brazil, Germany
Davi Pretto
Retrospective
The Last Laugh
Weimar Republic
F. W. Murnau
The Dark Road
Weimar Replubic
F. W. Murnau
Finances of the Grand Duke
Weimar Republic
F. W. Murnau
Faust
Weimar Republic
F. W. Murnau
Tartufle
Weimar Republic
F. W. Murnau
Nosferatu: a Simphony of Horror
República de Weimar
F. W. Murnau
Phantom
Weimar Republic
F. W. Murnau
The Haunted Castle
Weimar Republic
F. W. Murnau
Sunrise: a Song of Two Humans
United States
F. W. Murnau
Tabu: a Story of the South Seas
United States
F. W. Murnau
Mirada Paranaense
Among us, the Stranger
Brazil
Guto Pasko
#wewillstandstrong
Brazil
Diego Florentino
Pavement Song
Brazil
Pedro Giongo
The Color of Silence
Brazil
Karize Kresteniuk
Hush Street
Brazil
Eduardo Colgan
World Stratifies Body Moves
Brazil
Igor Urban
Orion
Brazil
Rodriane DL
To Overflow
Brazil
Helena Volani
You are not Dead Yet
Brazil
Ana Johann
Young Views
Caique’s Pool
Brazil
Raphael Gustavo da Silva
Way of Giants
Brazil
Alois Di Leo
Crystal Lake
United States
Jennifer Reeder
Desassemble
Brazil
Mari Cavalcanti
Two Trams
Russia
Svetlana Andrianova
VHS Boy
Brazil
Carlos Daniel Reichel
Bene’s Horizon
France
Jumi Yoon, Eloic Gimenez
Easygoing Teddy
Croatia
Tomislav Gregi
Doctor of Monster
Brazil
Gustavo Teixeira
Psychonauts, the Forgotten Children
Espanha
Alberto Vásquez, Pedro Rivero
Ringo
Espanha
Adria Pagés
Tailor
Brazil
Cali dos Anjos
Júri
Competitive
Guto Parente
Guto Parente, 33 years old, has made seven shortand 6 feature films – “Estrada para Ythaca” (2010), “Os Monstros” (2011), “No Lugar Errado” (2011), “Doce Amianto” (2013), ” a Misteriosa Morte de Pérola” (2014) and “O Estranho caso de Ezequiel” (2016). His films were screened in festivals such as Locarno, Rotterdam, Viennale, AFI, FIDMarseille, among others. Today is finishing his 7th and 8th feature films – “O Clube dos Canibais” and “Inferninho”. He is partner of the production company Tardo Films.
Maria José Santacreu
Maria José Santacreu (Montevideo, 1967). Is the director of Cinemateca Uruguaya and the International Film Festival of Uruguay. She is the editor for Arts and Culture of Semanario Brecha.
Philippe Gajan
Philippe Gajan is the programming director of Festival du Nouveau Cinéma, Montreal. He has been part of the festival since 1999. He is also film critic and director of the magazine 24 images.
Outros Olhares
Bárbara Rangel
Graduated for Fluminense Federal University. Has a Master degree in Preservation and Presentation of Moving Image from amsterdam University, and for that project, worked on the files of Portuguese and French Cinematheques. Today is part of the cinema programming team for Moreira salles Institute and is responsible for editing the DVDs released by the institution.
Luís Fernando Moura
Curator, programmer and researcher of films. Programmer coordinator for Recife’s Janela Internacional de Cinema. Journalist, with essays published in papers as Diário de Pernambuco, São Paulo’s Jornal do Comércio, and magazines such as Continente, Tercer Film e La Fuga. Master an PhD in progress in social Communication by Minas Gerais Federal University, where he develops a research that put together cinema theories, philosophy and studies about animality.
Monica Delgado
Director of Desistfilm. a Peruvian film critic with an academic background in social communication and Cultural Studies. She has published different articles and essays about cinema in various online and printed magazines.
New Views
Lili Hinstin
Lili Hinstin was born in 1977. She founded the production company Les Films du Saut du Tigre in 2001. From 2005 to 2009, she was in charge of the movie theater of the French Academy in Rome Villa Médicis. Programmer for different structures, she was artistic director deputy for Cinéma du Réel international Festival at centre Pompidou from 2010 to 2013. she is the artistic director of Entrevues Belfort International Festival since 2013.
Marcelo Alderete
Programmer for the Festival Internacional de Cine de Mar del Plata (Argentina). Programmer for the ANTOFADOCS (Chile). collaborator for the magazine Haciendo Cine.
Ulrich Ziemons
Ulrich Ziemons is a film curator based in Berlin. He is one od the cocurators of the Berlinale ForumExpanded program, as well as a member of the short film selection committee of Dokfest Kassel. He has curated film programs and exhibitions for Kochi Muziris Biennale, MMCA Seoul, Arsenal – Institute for Film and Video art Berlin, a.o. In 2014 his book “Aufzeichnungen eines Storm Squatters” was published, the first German language monograph on the American underground filmmaker George Kuchar.
Critic's Award (ABRACCINE)
Adriano Garret
Graduated in journalism from Casper Líbero College, he is the founder and editor of Cine Festivais, the first Brazilian journalistic site specialized in covering film series, retrospectives and film festivals. He dedicates himself to the thought of film selection and programming. He conducted interviews with curators of some of the major Brazilian festivals. As a reporter and film critic, he also collaborated with Opera Mundi.
Pedro Plaza
Researcher and professor, he is a PhD by USP with a thesis about modern cinema criticism in Brazil. Acted in the Archive of Paulo Emilio Salles Gomes / Cinemateca Brasileira. He is a professor in the history department and in the post-graduate program in history at Federal University of Paraná. He published articles, with highlights in Arte e Política no Brasil: modernidades, (Perspectiva, 2014), Olhares: audiovisualidades contemporâneas brasileiras (Felcicram, 2016). He also collaborated in the magazines Sinopse (USP), Antíteses (Londrina), Iluminuras (Porto Alegre), Cadernos do Tempo Presente (Aracaju), Contracampo (UFF) and Significação-Revista de Cultura Audiovisual (USP).
Orlando Margarido
Cultural area reporter, film and plastic arts critic. He worked in the magazines Veja São Paulo and Carta Capital, besides the newspapers Diário do Grande ABC and Gazeta Mercantil. He is part of the selection committee of É Tudo Verdade IDF. He wrote Ser Ator – Antonio Petrin (Imprensa Oficial). He collaborated in the books Manoel de Oliveira (CosacNaify/Mostra SP, 2005) and 100 Melhores Filmes Brasileiros (Letramento/Abraccine). He is one of the organizers of Bernardet 80 – Impacto e Influência no Cinema Brasileiro (Paco/Abraccine). He is Vice President of Abraccine.
Neusa Barbosa
Journalist, writer and researcher, she holds a postgraduate degree in Art History. she worked in the Folha de S. Paulo, O Estado de S. paulo and Veja S. Paulo magazines. She created and has editated the Cineweb website since 2000. Collaborator of the agency Thomson Reuters. Conducts courses and curators of cinema screenings. She has been a member of the selection committee of É Tudo Verdade IDF since 2006. She was a founding partner of Abraccine and the collective group Elviras de Mulheres Críticas de Cinema.
Yale Gontijo
She is a cultural journalist, screenwriter and film critic. Worked in the Culture team of correio Braziliense newspaper for seven years. she is a partner of the Brazilian Film Critics Association (Abraccine) and funding partner of collective Elviras de Mulheres da Crítica de Cinema.
AVEC-PR Award
Bruna Machado
Graduated in audiovisual by the University of Brasilia, with a master’s and doctorate (In progress) in Literatures, in UFSC Literature Post-Graduation Program, currently ministeres the disciplines of Cinema Theories I and Audiovisual Narrative in the course of Cinema and Audiovisual of UNESPAR, as a collaborating teacher.
Carlos Eduardo Lourenço Jorge
Mineiro from Belo Horizonte. Cinema by FAAP (71 to 74). Creator of the film and Video Division of the State University of Londrina. Curator of the UEL cinema room. Critic of Folha de Londrina, Londrina journal and Folha de Londrina. Collaborator in specializes publications or not. Coverage of national and international film festivals. since 1997 in Cannes. Since 1995 in Venice. Coordinator of debates. Gramado Festival since 1980.
Daniel Pereira
Daniel Pereira is director, director of photography and screenwriter. He has been developing projects for cinema, television and advertising for 11 years.
Curitiba_Lab
Amém
Mariana Tesch Morgon e Lusco Fusco Filmes Ltsa – EPP
Módulo: Longa-metragem Ficção
Barões Detrás do Morro
Marcela Bordin, Germano de Oliveira, Avante Filmes, Besouro Filmes, Casa de Cinema
Módulo: Longa-metragem Ficção
Fotograma
Fernanda Pessoa e Moro Filmes
Módulo: Longa-metragem Ficção
Inimigo
Bruno Carboni, Marcela Bordin e Tokyo Filmes
Módulo: Longa-metragem Ficção
O Homem Cordial
Iberê Carvalho, Pablo Stoll e Pavirada Filmes
Módulo: Longa-metragem Ficção
O Vulto do Pássaro
Douglas Soares, Humberto Carrão e Glaz Entretenimento
Módulo: Longa-metragem Ficção
Sereis uma só Carne
Andréa Kalaboa, Tiago Lipka e GP7
Módulo: Longa-metragem Ficcção
Capítulo XIX
Luiz Ernani Lepchak
Módulo: Documentário
Corpo Fissura
Laís Melo Dlugosz
Módulo: Documentário
Entre Paraísos Ficcionais e Terras Prometidas
Shai Oliva Alon
Módulo: Documentário
Fôlego
Bruna Steudel
Módulo: Documentário
No Meu Coração Reina a Congada
Leandro Cordeiro
Módulo: Documentário
No Topo do Mundo
Diego de Mello Rego Lopes
Módulo: Documentário
Puerpeba
Camila Macedo Ferreira Mikos
Módulo: Documentário
Xondaria
Eduardo Martins Zimermann Camargo
Módulo: Documentário
Contracapa
Rafael Waltrick
Módulo: Série
Corpo de Delito
Fernanda Morini
Módulo: Série
Deus, o Diabo e a Vida
Julia Vidal
Módulo: Série
Histórias do Busão
Alessandra Pajolla
Módulo: Série
Resgate
Fernando Coelho
Módulo: Série
Sedentário
William de Oliveira
Módulo: Série
Seminários
Meet the Programmers
The team of curators and programmers of the Olhar de cinema takes stock of the festival films, contextualizing them.
Cinema of Invention
Directors from different generations talk about Cinema of Invention, irreverent and provocativa films produced in the late sixties and early seventies, and their reverberations in contemporary productions festival.
Screenwriting for TV Series
Important national writers, authors of works like Carcereiros and supermax, talk about their works and the TV market for writers.
Murnau's Legacy
The influence of the German master in the History of world cinema.
Masterclass Ignacio Agüero + screening This is the Way I Like it
Talk about the work of Chilean documentary filmmaker Ignacio Agüero: his aesthetic and thematic influences, his creative process. Moderated by Carla Italiano.
Vlogger Critics
Talk about the new tools for analysis, reflection and debate about movies.
Masterclass Anocha Suwichakornpong
Talk about the work of Thai director Anocha Suwichakornpong: her aesthetic and thematic influences, her creative process. Moderated by Aaron cutler.
Elviras - Women Cinema Critics Collective Group
Discussion about the insertion of women in cinematographic criticism and on the female view for films directed by women and men.
Book Release Bernardet 80 - Impact and Influence in Brazilian Cinema
This work, written by Ivonete Pinto e Orlando Margarido, deals with the critical performance of the long-time, prolific and active film thinker Jean-Claud Bernardet, Demonstrating the ramifications and influences of his thought in national cinematographic production through articles written by filmmakers, academics and researchers.
