Encontro no Fim dos Dias
Direction and Screenplay: Daiane Marcon e Daniel de Bem.
Production: Tokyo Filmes e Avante Filmes.
Filmes
Competitive | Features
A City of the Future
Brazil
Cláudio Marques e Marília Hughes
Antonia.
Italy
Ferdinando Cito Filomarino
Brothers of the Night
Austria
Patric China
The Winds Know That I’m Coming Back Home
Chile
José Luís Torres Leiva
They Came and Stole His Soul
Brazil
Daniel de Bem
Gulîstan, Land of Roses
Canada/Germany
Zaynê Akyol
Last Land
Paraguay/Netherlands/Chile/Qatar
Pablo Lamar
Maestà, the Passion of Christ
France
Andy Guérif
The Strange Case of Ezequiel
Brazil
Guto Parente
Another Year
China
Shengze Zhu
Competitive | Shorts
The Girl Who Danced with the Devil
Brazil
João Paulo Miranda Maria
Another City
Vietnam
Pham Ngoc Lan
Ascension
Portugal
Pedro Peralta
Babor Casanova
Switzerland
Karim Sayad
Fire
Argentina
Pablo Penchansky
Maria do Mar
Portugal
João Rosas
Small Stories of the World Before Bedtime
Belgium
Maxime Coton
Under the Sun
China/Australia
Qiu Yang
Solon
Brazil
Clarissa Campolina
New Views
In the Last Days of the City
Egypt/Germany/United Kingdom
Tames El Said
Ama-San
Portugal/Switzerland
Cláudia Varejão
Roundabout in my Head
Algeria/France
Hassen Ferhani
Fragment 53
Italy/Switzerland
Frederico Lodoli e Carlo Gabriele Tribbioli
Geographies
Lebanon
Chaghig Arzoumanian
Maybe Desert, Perhaps Universe
Portugal/Brazil
Karen Akerman e Miguel Seabra Lopes
Zud
Germany/Poland
Marta Minorowicz
Other Views | Features
Actor Martinez
United States
Mike Ott, Nathan Silver
The Carnivore
Brazil
Arthur Tuoto
Homo Sapiens
Austria
Nikolaus Geyrhalter
Oleg and the Rare Arts
Spain
Andrés Duque
Oncle Bernard – A Counter-lesson in Economics
Canada/Spain
Richard Brouillette
The Birds are Busy
Brazil/France
Diogo Oliveira e João Vieira Torres
Rio Corgo
Switzerland/Portugal
Sergio da Costa e Maya Kosa
Ta’ang
Hong Kong/France
Wang bing
The Sky Trembles and the Earth is Afraid and the Two Eyes are not Brothers
United Kingdom
Ben Rivers
Wake (Subic)
United States/Philippines
John Gianvito
Other Views | Shorts
The Grey House and the Green Mountains
Brazil
Deborah Viegas
A Place I’ve Never Been
Switzerland
Adrian Flury
I Still Bleed Inside
Brazil
Carlos Segundo
The Digger
Lebanon/Emirates/France
Ali Cherri
Ghost Children
Brazil/France
João Vieira Torres
There is Land!
Brazil/France
Ana Vaz
IRRLA3UFER
Germany
Moritz Draheim
Traveling
Poland
Karolina Zaleszczuk
L’Aquarium et la Nation
Switzerland/France
Jean-Marie Straub
Event Horizon
France
Guillermo Moncayo
The Solitude of Images
Mexico
Jorge Sistos Moreno
Fear
Slovakia/Czech Republic
Michal Blaško
Classics
Amarcord
Italy
Frederico Fellini
Compasso de Espera
Brazil
Antunes Filho
How Green was my Valley
United States
John Ford
The Cloud-capped Star
India
Ritwik Ghatak
Mouchette
France
Robert Bresson
Ninotchka
United States
Ernst Lubitsch
The Saragossa Manuscript
Poland
wojciech Jerzy Has
The Color of Pomegranates
Armenia
Sergei Parajanov
Focus
The Stolen Man
Argentina
Matías Piñero
They All Lie
Argentina
Matías Piñero
Rosalinda
Argentina/Korea
Matías Piñero
Viola
Argentina
Matías Piñero
The Princess of France
Argentina
Matías Piñero
Special Screenings
Anna
Italy
Alberto Grifi e Massimo Sarchielli
Between Fences
France
Avi Mograbi
Artist of Fasting
Japan/South Korea
Masao Adachi
General Report II: The New Abduction of Europe
Spain
Pere Portabella
Wagner Brothers Animation Shorts Program
Brazil
Irmãos Wagner
Retrospective
Al Ladro
Italy
Luís Sérgio Person
L’Ottimista Sorridente
Italy
Luiz Sérgio Person
Trilogia do Terror
Brazil
Ozualdo Candeias, Luíz Sérgio Person e José Mojica Marins
São Paulo S/A
Brazil
Luiz Sérgio Person
The Case of the Naves Brothers
Brazil
Luiz Sérgio Person
Panca de Valente
Brazil
Luiz Sérgio Person
Cassy Jones – O Magnífico Sedutor
Brazil
Luiz Sérgio Person
Mirada Paranaense
The Great Grey Cloud
Brazil
Marcelo Munhoz
I Changed the Name and Kept Talking About her Without you Knowing
Brazil
João Solda
João & Maria
Brazil
Eduardo Baggio
MMXII
Brazil
Alexander Aguiar e Frederico Neto
Nothing Changes Between Us
Brazil
Bruno Costa
Purple Night
Brazil
Caroline Biagi
The Last Portrait
Brazil
Arthur Tuoto
Early Bird
Brazil
Danilo Custódio
Júri
Competitive
Anette Dujisin
With a background of Contemporary History, Anette started working as assistant diretor of italian independent filmmaker Corso Satani, a collaboration that lasted almost 10 years. Then she moved on to film festivals. She is programmer of Venice International Film Critic’s Week, as well as coordinator of Industry events in When East Meets West co-production forum in Trieste Film Festival and programmer for Festa do Cinema Italiano in Lusofone countries.
Cecilia Barrionuevo
Since 2010 up to the present she is a programmer of the Mar del Plata international Film Festival. She has collaborated as a guest programmer for other film festivals and museums. She is a co-editor of the publication Las Naves Cine. She has collaborated as a writer in several cultural publications, participated in roundtable discussions and has been a jurist at international film festivals. She has in MA in Creative Documentary Making. In 2013, she has a fellow in the Flaherty Film Seminar NY.
Paul Dallas
Paul Dallas is a writer, producer and journalist. His writing has appeared in Artforum, BOMB, Cinema Scope, Extra Extra, Film Comment, Filmmaker Magazine, Indiewire and Interview Magazine. He has curated film for Columbia University, Guggenheim Museum and Union Docs. He recently worked on Michael Almereyda’s upcoming drama ‘Marjorie prime’. Currently, he is developing several feature-length projects with director Fréderic Tcheng. Paul is a graduate of The Cooper Union in New York.
Olhares Brasil
Andrea Stavenhagen
After working in IMCINE’s Short-Film Direction and in the Sub-directorate of Centro Capacitación Film, she directed the Encuentro Iberoamericano de Coproduccióna and other activities of Industria del Festival de Guadalajara. She co-directed the Taller Morelia Lab, an essential initiative for the formation of producers. She is currently a Delegate from Latin America for the Festival de San Sebastian, coordinator of professional initiatives of Morelia and a collaborator for Sarajevo.
Daniel Queiroz
Born in Belo Horizonte, he worked as a programmer for Cine Humberto Mauro, as the audiovisual director for the Secretariat of Culture of the State of Minas Gerais, and as the programming coordinator for the International Short Film Festival of Belo Horizonte. Since 2012 he has worked as the programmer at Cine 104 and, since 2013 as a curator in the festival Semana dos Realizadores.
John Campos Gómez
Peruvian cinephile. As an independent developer, he conducts specialized cycles in cultural centers and universities in Peru as well as in international festivals such as BAFICI (Argentina), Radical (Bolívia), FICValdívia (Chile). He also writes about film in the Argentine website OtrosCines.com, works as na editor for OtrosCines.blog/Peru, and is a columnist for the magazine Cinéfilo (Cordoba, Argentina). He is also a programmer for FICValdívia (Chile) and director of Transcinema, International Film Festival.
New Views
Boris Nelepo
Boris Nelepo is a film critic and festival programmer. He curated several film festivals and the retrospectives of Želimir Žilnik, Peter von Bagh, Marlen Khutsiev, Beta Tarr, Pierre León, Philippe Garrel and Seijun Suzuki (Moskow). Boris has written for a number of Russian and International publications such as Trafic (France), MUBI (USA), Cinema Scope (Canada), Libération (France), Lumiére (Spain), Moving Image Source (USA). He is the Russian film consultant for the Locarno Film Festival.
Dennis Lim
Dennis Lim is the director of programming at the Film Society of Lincoln Center. He has written for various publications including The New York Times, Artforum, Cinema Scope and The Village Voice, and is the author of the critical biography David Lynch: The Man from Another Place (2015). He has taught at Harvard, New York University and the New School.
Eduardo Valente
International advisor for ANCINE between 2011 and 2015, he graduated in cinema from UFF and holds a Master’s degree from USP. Filmmaker, critic and film festival curator. He directed three short-films and one feature film, all exhibited in different sections of the Cannes Film Festival; he was editor of virtual magazines Contracampo and Cinética and founder of Semana dos Realizadores.
Critic's Award (Abraccine)
Charlene Dinhut
Charlene Dinhut works at the Centre Pompidou Paris, as film curator. She also works as a film curator at the Museum for Hunting and Nature, a very peculiar venue in Paris for contemporary art.
Geraldine Gomez
Geraldine Gomez works at the Centre Pompidou Paris, as film curator. Holder of a thesis in history of the contemporary art, Geraldine Gomez impassions herself for the image and notes with pleasure how much the new media contributes to its modernity. In 2005, she invented the event Hors Pistes.
Curitiba_Lab
Galatéa
Direction and Screenplay: Dov Zylberman
Production: João Carvalho
Goblin
Direction and Screenplay: Thiago Brito e Isabella Raposa.
Production: Lúdica Produções Audiovisuais.
Mar Aberto
Direction and Screenplay: Amaranta César.
Production: Descontínuo Filmes.
Natan
Direction and Screenplay: Luciana Vieira e Victor Costa Lopes.
Production: Tardo Filmes.
Predião
Direction and Screenplay: Felipe Santo.
Production: Punta Colorada de Cinema.
Seminários
Curatorship and Programming
The role of a film programmer in festivals and exhibitions: the legitimation of aesthetic trends and the pursuit of new languages. The different work methods and the relationship with the film market.
Women in Cinema
The participation of women in cinema: how to gain space in a mostly male environment and become a protagonist in the construction of new cinematic discourses? The consequences of the low number of women directing, programming, exhibiting and producing critical material about cinema.
Culture Amidst a Coup
Amidst the ongoing parliamentary coup of President Dilma Rousseff, the interim president Michel Temer in his first day in office abolished the Ministry of Culture, founded in 1985. What are the advancements in Brazil’s cultural sector since the creation of the Ministry? What are the social, cultural and economic consequences of its extinction?
A Conversation About Person
Debate on the work of filmmaker Luiz Sérgio Person: his personal relationship with recurring themes, authoring issues, his relationship with Cinema Novo, the divergence between Cinema Novo (in Rio) and the São Paulo cinema among other stories.
Masterclass Matías Piñeiro
A debate on the oeuvre of the young Argentine filmmaker Matías Piñeiro: his aesthetic and thematic influences and the creative processes, in addition to excepts from his concluded films, the director will present excerpts from his latest work, still in progress, the feature film ‘Hermia & Helena’.
Critics and Curatorship
The relationship between criticism and curatorship within cinematic thought. What are the convergences and divergences between curators and programmers regarding contemporary cinema? In the midst of a conflict of interests, how does on prevent one party from subjugating another?
Young Actors – Non-professional Actors / Non-actors
The challenges and pleasures of working with a young and/or non-professional cast. A case study of the film ‘A Cidade do Futuro’ (by Cláudio Marques and Marilia Hughes) and the TV series ‘Nóis por Nóis’ (by Aly Muritiba and Jandir Santin), both in the presence of the cast of young actors and non-professional actors.
