Archive 2014 - Olhar de Cinema – Festival Internacional de Curitiba

Filmes

Competitive | Features

The Hidden Tiger
Brazil
Afonso Uchoa

White Out Black In
Brazil
Adirley Queirós

What Now? Remind Me
Portugal
Joaquim Pinto

Forma
Japan
Ayumi Sakamoto

How to Disappear Completely
Philippines
Raya Martin

Mary is Happy, Mary is Happy
Thailand
Nawapol Thamrongrattanarit

My Class
Italy
Daniele Gaglianone

September
Greece/Germany
Penny Panayotopoulou

Sheep
France
Marianne Pistone and Gilles Deroo

The Green Jacket
Ukraine
Volodymyr Tykhyy

The Kidnapping of Micheal Houellebecq
France
Guillaume Nicloux

Zanj Revolution
Algeria/France
Tariq Teguia

Competitive | Shorts

The Call
Brazil
Gustavo Vinagre

When it Lifts its Little Eyes Up
Brazil/France
Alice Furtado

A Horse Kick on the Chest
Brazil
Renan Rovida

Laborat
Germany
Guillaume Cailleau

Master Blaster – An Adventure of Hans Lucas on Nebulosa 2907N
Brazil
Raul Arthuso

My Sense of Modesty
France
Sébastien Bailly

Taprobana
Portugal
Gabriel Abrantes

That I’m Falling?
France
Eduardo Williams

The Incomplete
Germany
Jan Soldat

The Swimming Trunks
France
Mathilde Bayle

Verona
Brazil
Marcelo Caetano

New Views

Bloody Beans
Algeria/France
Narimane Mari

Chantier A
Algeria/France
Karim Loualiche, Lucie Deche and Tarek Sami

From Gulf to Gulf to Gulf
India
Shaina Anand and Ashok Sukumaran

L for Leisure
United States
Lev Kalman and Whitney Horn

Time Goes by Like a Roaring Lion
Germany
Philipp Hartmann

The Future
Spain
Luiz Lopez Carrasco

Other Views | Features

The Quest of the shooner Creoula
Portugal
André Valentim Almeida

A Spell to Ward off the Darkness
France/Estonia
Ben Russel and Ben Rivers

Love, Plastic and Noise
Brazil
Renata Pinheiro

What We Make of Our Misfortunes
Brazil
Arthur Tuoto

Gabrielle
Canada
Louise Archambault

Hard to be a God
Russia
Aleksey German

Reptilia in Suburbia
Philippines
Timmy Harn

Riverrun
Brazil
Paulo Sacramento

The Creator of the Jungle
Spain
Jordi Morató

The Dirties
Canada
Matt Johnson

The Distance
Spain
Sérgio Caballero

The Second Game
Romania
Corneliu Porumboiu

The Songs of Rice
Thailand
Uruphong Raksasad

Other Views | Shorts

A Tale of Michel and Montaigne
France/Germany
Jean-Marie Straub

Butter Lamp
France/China
Hu Wei

Carranca
Brazil
Wallace Nogueira and Marcelo Matos de Oliveira

Dialogue of Shadows
France
Jean-Marie Straub and Danièle Huillet

Ski Lessons
Brazil
Samuel Brasileiro and Leonardo Mouramateus

Majub’s Journey
Germany
Eva Knopf

Metaphor or Sadness Inside Out
United Kingdom/Portugal
Catarina Vasconcelos

The Dead’s Wish
Brazil
Ramon Porto Mota

The Invaders
Brazil
Calac Nogueira

Soviet Park
Brazil
Karen Black

Rex Inutilis
Portugal
Telmo Churro

The Friends
Argentina
Paulo Pécora

Special Screenings

C(us)todians
Brazil
Aly Muritiba

After the Rain
Brazil
Cláudio Marques and Marília Hughes

Multiolhares

(dis)montage
Brazil
Bruna Costa

Backstage Porn
Brazil
Dellani Lima and Ana Moravi

Confusion Through Sand
United States
Danny Madden

Land
Japan
Masanobu Hiraoka

Malody
Canada
Phillip Barker

Manakamana
United States
Pacho Velez and Stephanie Spray

Politics
Germany
Diego Aguiló

Shangai Immigrant Self-portrait
Canada
Betty Jiang

Tokio Giants
Japan/Belgium
Nicolas Provost

Trento Symphonia
France/Italy
Flatform

Retrospective: Stanley Kubrick

Day of Light
United States
Stanley Kubrick

Flying Padre
United States
Stanley Kubrick

The Seafarers
United States
Stanley Kubrick

Fear and Desire
United States
Stanley Kubrick

The Killing
United States
Stanley Kubrick

Paths of Glory
United States
Stanley Kubrick

Dr. Strangelove or: How I Lerned Stop Worryin and Love the Bomb
United States/United Kingdom
Stanley Kubrick

2001: A Space Odissey
United States/United Kingdom
Stanley Kubrick

A Clockwork Orange
United Kingdom/United States
Stanley Kubrick

Barry Lindon
United Kingdom/United States
Stanley Kubrick

The Shining
United Kingdom/United States
Stanley Kubrick

Full Metal Jacket
United Kingdom/United States
Stanley Kubrick

Eyes Wide Shut
United Kingdom/United States
Stanley Kubrick

Mirada Paranaense

Saint Teresa
Brazil
Eduardo Baggio

Waiting
Brazil
Felipe Aufiero

The Waters
Brazil/Switzerland
Larissa Figueiredo

Authority
Brazil
Danilo Daher

Kaleidoscope
Brazil
Julien Guimarães

Carcass
Brazil
Camila Carneiro, Diego Baffi, Jéssica Oliveira and Laura Formiguieri

Tokio Village
Brazil
Rodrigo Grota

Jonni Driver
Brazil
Estevan Silveira

Where Did the Birds Go?
Brazil
Gustavo Ulisse

Te Extraño
Brazil
Nathália Tereza

Trans*lúcidx
Brazil
Tamiris Spinelli

Júri

Competitive

Agnés Wildenstein

Born in France, was living in Paris, lives now in Lisbon, Portugal. Worked 10 years at La Cinémathéque Française, the twelve years at Locarno International Film Festival, as a programmer. She is a permanent jury member of the Jean Vigo Prize. Now she is associate programmer for DOCLISBOA.

Allan Ribeiro

Graduated at Cinema from the Fluminense Federal University (UFF), he has directed and written 11 shot-films, notably Ensaio de Cinema (2009), O brilho dos meus olhos (2006) and A dama do Peixoto (2011). In 2012 he directed Esse anor que nos consome, his first feature film, which premiered at the Brasilia Festival and received 3 awards in 10 brazilian cities, notably Special Jury Award at the APCA (São Paulo Association of Art Critics) and the Audience Award at the Olhar de Cinema – CIFF 2013.

Diego Lerer

Critic and editor of the Clarin Film section, between 1992 and 2012. BFA in Communication Sciences. Diego was also a professor of semiotics at the Centro de Investigación Cinematográfica. He was granted a scholarshio at the Journalism Fellowship Program at the University of Michigan, and is coauthor of the book Nuevo cine argentine. He is president of Fipresci – Argentina and was vice president of this federation internationally. He has a blog called Micropsia and writes for Inrockuptibles y Otros Cines, among others.

Olhares Brasil

Cláudio Marques

Cláudio was an editor and critic for the Coisa de Cinema newspaper during eight years (1995-2003). Responsible for the programming at the Sala Walter Silveira, he idealized and currently manages the Espaço Itaú de Cinema – Glauber Rocha. Cláudio is the idealizer behind the Panorama International Coisa de Cinema. He has directed 6 shortfilms, which have won 52 awards in total. Depois da chuva, his first feature film, won three awards at the 46th Brasilia Festival and was shown at the 43rd Rotterdam Film Festival, at the 16th BAFICI and at the 32nd Uruguay Film Festival.

Jacobine van der Vloed

Jacobine van der Vloed is a freelance media consultant, advisor and trainer. She worked for over ten years for the International Film Festival Rotterdam, as well as in many other capacities within the industry in 2013. Jacobine setted up a media consultancy company, JVTP Media Consulting. Currently, Jacobine works as a talent agent for the directors & screenwriters at Amsterdam, Jacobine graduated with a Masters Degree in Cultural History from the University of Ultrecht in 2002.

Roger Koza

Member of FIPRESCI (The International Federation of the Cinematographic Press), Roger Koza works for La Voz del Interior (Córdoba, Argentina) as a film critic; He also writes about cinema for Ñ and Con los ojos abiertos. Koza is also programmer at Filmfest Hamburg, in Germany, and FICUNAM, in Mexico. He’s also Artistic Director at FICIC and DocBuenos Aires. He has participated as a jury member at IFFR,, Locarno Film Festival, Golden Apricot Film Festival, BAFICI, among others.

New Views

Betrina Steinbrügge

Betrina Steinbrügge is diretor of the Kunstverein in Hamburg (Germany). She worked for the Kassel Documentary Film Festival and from 2001 to 2007 she was the director of Halle für Kunst in Lüneburg. She teaches at the Haute École d’Art et de Design, in Genebra since 2009 and since 2014 is professor for art theory at the University of Fine Arts of Hamburg. In 2011, she was a curator at La Kunsthalie Mulhouse. Since 2007 Steinbrügge is co-curating Forum Expanded at the Berlin International FIlm Festival. From 2010-13 she worked as chief curator at the Belvedere in Vienna.

Charlene Dinhut

Charlene Dinhut works at the Centre Pompidou Paris, as film curator. She also works as a film curator at the Museum for Hunting and Nature, a very peculiar venue in Paris for contemporary art.

Ilana Feldman

Ilana Feldman holds a PhD in Cinema by ECA/USP with a passage at the University Paris VIII Department of Philosophy, Arts and Aesthetics. She is currently in her post-doctorate course in Literary Theory at UNICAMP, with research Os Diários Cinematográficos de David Periov: do privado ao político, and acts as a curator for the cycle O Cinema e o Irrepresentável, at the Sao Paulo Center Jewish Culture. Her book, Jogos de Cena: ensaios sobre o documentário brasileiro contemporâneo, will be published in 2014 by Contraponto publishing house.

Critics’ Award (Abraccine)

Curitiba_Lab

Seminários

LECTURE / Audiovisual Fund

The Ancine – Agência Nacional de Cinema, in partnership with the Olhar de Cinema, Festival Internacional de Curitiba and the Parana Audiovisual Industry Union (Siapar), presentes the Audiovisual Fund Sector Seminar in Curitiba-PR.

MASTERCLASS / Actor Jean-Claude Bernardet

Masterclass with Jean-Claude Bernardet, with the projection of the short-film ‘A navalha do avô’, by Pedro Jorge, in which he played the protagonist.

PANEL DISCUSSION / Genre Cinema in Brazil

The panel aims to analyze the current domestic production from the perspective of film genres, drawing a parallel with past investments and reflecting on possible future paths for Genre Film in Brazil.

PANEL DISCUSSION / Festival Programming

We know that the coverage of a film receives at certain film festivals are determinant for its subsequente career in the world. There are at least a dozen major festivals in the world today which serve as a plataform for established filmmakers, but which still remain concerned with discovering new and compelling cinematic motions.

PANEL DISCUSSION / The Actor and Their Processes

What are the possible paths so the actor may find the character? How does the communication between actor and director take place when building the character’s dramaturgy? When does the actor become author? The techniques and praxis of the film actor in a conversation on personal trajectories.